![]() Further temporal interventions were then assembled in a number of situations within Detroit. Informed by existing watermarks, stains and rust encountered within abandoned spaces in Detroit, I initially responded by using found materials such as charcoal and ash from burnt houses, plant materials and liquids, to assemble process-based compositions on canvas. This paper discusses an artist residency undertaken in Detroit, USA 2017. The marks – whether they be on a canvas, a house, a building, or within a gallery – materialise immateriality and allow the residue of particular processes to be assembled as collections of materialised and spatialised time. My technique is one of working responsively to interiors, allowing particular temporal conditions to surface within specific sites and situations. It is a practice of mark making, marking time, making time, and time making foregrounding duration and marking an occurrence. ![]() ![]() Interiority, in relation to my practice, is the inherent curiosity to the notions of process, time and duration.
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